Buddhist Tales For Young And Old

Prince Goodspeaker

Interpreter’s Introduction

It is a pleasure to rewrite the Jataka stories in modern English understandable by western readers. To achieve this goal, the stories are being retold in order to convey the spirit and meaning. They are not scholarly word-for-word translations as have been done by others. The Pali Text Society has published the whole text in English translations a hundred years ago. In Sri Lanka they were translated into Sinhalese in the 14th century, where they were known as Pansiya Panas Jataka.

In all Buddhist countries the Jataka tales were the major sources for developing the character of the people. They were used widely in preaching by monks and lay preachers. King Dutugemunu (2nd century B.C.), in Anuradhapura, paid for the support of preachers to teach Dhamma, the teachings of the Buddha. They usually used these stories in their sermons. Even the Venerable Arahant Maha Mahinda, who introduced Dhamma into Sri Lanka, used these stories to illustrate the truth of the teachings. Some were even used by the Lord Buddha in his teachings, and from him his followers learned them and passed them into popular use in society. Even earlier, the same types of stories were present in Vedic literature.

Greek myths, as well as the fables of Aesop, inherited them from the Vedas and Buddhism; Persia also took them from India. They later migrated into the stories of Chaucer in England and Boccaccio in Italy. The stories were used for a variety of purposes. In Sanskrit, the Pancatantra used them to teach Law and Economics, and the Katha Sarit Sagara used them for the development of knowledge, as well as just for enjoyment. In the past, people have been satisfied and fulfilled in many ways by hearing them in forms ranging from lessons to fairy tales.

By reading these stories, children and adults can develop their knowledge and learn how to face the difficult experiences of modern life. They can easily develop human values and good qualities like patience, forbearance, tolerance and the four sublime states of mind – loving-kindness, compassion, sympathetic joy and equanimity. The major purpose of these stories is to develop the moral and ethical values of the readers. Without them, people cannot be peaceful and happy in their hearts and minds. And the reader will find that these values are very different from those of the wider, violently acquisitive, ego-based society.

In this interpretation, changes are being made to the style of the old Jataka stories, and explanations are added, as is appropriate for children in the modern world. The lovely artwork is also sometimes in a modern setting, to attract young and old to the truths contained in the tales.

The sources used have been as follows:

  1. Jataka Pali (Colombo: Buddha Jayanti Tripitaka Series Publication Board, 1983) – original Pali stanzas.
  2. Jataka Pali (Colombo: Simon Hewavitarane Bequest, 1926) – original Pali Jataka stories in Sinhalese characters.
  3. Sinhala Jataka Pot Vahanse (Colombo: Jinalankara Press, 1928) – Sinhalese translation of Pali Jataka stories.
  4. Sinhala Jalaka Pot Vahanse (Colombo: Ratnakara Bookshop, 1961) – Sinhalese translation of Pali Jataka stories.
  5. Jataka Pota, ed. Lionel Lokuliyana (Colombo: M. D. Gunasena & Co., 1960) – Sinhalese translation of first fifty Pali Jataka stories.
  6. The Jataka or Stories of the Buddha’s Former Lives, ed. E. B. Cowell (London: Pali Text Society, 1981), 6 vols., index English translation of Pali Jataka stories.
  7. Pansiyapanas Jataka Pot Vahanse (Bandaragama: H. W. N. Prematilaka, 1987) – Sinhalese summaries of Pali Jataka stories.

In addition, “From the Storyteller to the Listeners” (below), contains a paraphrase taken from “Discourse With Canki,” Middle Length Sayings (Majjhima-Nikaya), trans. I. B. Horner (London: Pali Text Society, 1975), 11, 95, pp. 362-3. The title of the fourth story, “The Mouse Merchant”, was originally in Somadeva, The Ocean of Story (Katha Sarit Sagara), trans. C. H. Tawney (London: C. J. Sawyer, 1924).

The sequence numbers used for the stories are in the same order as in the Jataka Pali and The Jataka or Stories of the Buddha’s Former Lives (above). Multiple sequence numbers indicate that identical, similar or partial stories are told in one version. The most complex example is “The Curse of Mittavinda” which requires explanation. Here the Losaka (41), the three Mittavinda (82, 104, 369) and the Catu-Dvara (439) Jatakas are combined. This is because the stanzas of 82, 104 and 369 all refer directly to the palaces described in 41 and 439, as well as to the wheel of torture described in 439. The latter retells the four palaces portion of 41, and then leads directly into the wheel of torture (Ussada hell) portion. To allow continuity, the ending of the wheel of torture portion is taken from 369, since in it Mittavinda does not die.

Since the stories include legends which are not actually canonical, the character traditionally said to be the Bodhisatta (the Buddha in a past life) is not necessarily identified in each rewritten story.

It is hoped that these stories will be picked up by teachers and used to teach children. They can serve as examples in guiding children to use the morals in their daily activities. By drawing their minds into thinking properly, their thinking power will be developed. This will prove invaluable in facing difficulties, unexpected circumstances and disasters, without being confused.

The stories teach valuable lessons to correct our current life style. For instance, the second story, “Finding a New Spring”, teaches the value of perseverance. Today people who are enslaved to the Modern development of science and technology, are lazy due to the easy availability of things they need (and things they don’t need). They become used to giving up their efforts to achieve goals when there are even minor difficulties. They give up, change their minds, and try something else. Having become lazy, their thinking power declines, as does their effort to overcome difficulties. Consequently, they also do not understand how to solve the problems of living with others, and their human values decline as well.

Mankind has achieved the present level of civilization over a long period of time, by using vast human energy to control his weaknesses. Deep and immeasurable dedication and effort have been required to develop human physical and intellectual skills. We need to preserve these qualities for the future peace and happiness of the world. Our highest efforts are needed to preserve declining human qualities and values. If not, the future will be a turmoil of quarrels and conflicts.

Mature and compassionate people of diverse cultures are realising the danger. The cause is the discouragement of the teaching of an internal moral code. Modern educators and psychologists have neglected the function of the moral development of children. This is the major cause of the world-wide increasing crime rate. Fifty years ago children were taught moral values, but there is no such subject in modern schools, while churches and temples are poorly attended. Without such teaching, where will a young child learn what is good and bad, from cartoons, commercials and movies? Why has the subject been neglected in the field of education and in the society at large?

In “Finding a New Spring”, when the caravan lost its way, the leader did not blame others or grumble, he was determined to overcome the unexpected circumstances. In the midst of the weakened thinking of the others, he was the only one who could be depended on to lead the search for water. Even after tiring digging led to the great rock obstacle, he was not to give up. His perseverance broke through the slab and reached the goal. How joyful they all were! Why do we not teach our children to follow such examples in their unexpected encounters? The adults who read these stories to children must point out morals like these and help them to develop their tender minds.

May all beings be well and happy!

Kurunegoda Piyatissa

November 30, 1994

Buddhist Literature Society
New York Buddhist Vihara
84-32 124th Street
Kew Gardens
New York, N.Y. 11415 USA